There’s a kind of music that conjures up images of clear blue skies, horses roaming an emerald-coloured horizon. It’s the traditional music of the Buryats, an ethnic minority that practices Tibetan shamanism and lives a nomadic lifestyle similar to their cousins in Mongolia. This rich tradition of music is what Namgar (“white cloud” in Tibetan), a Moscow-based music group, has been working hard to preserve and adjust to the modern times.

Looking like characters from the ancient legends of Asia on stage, the leader of the band Namgar delivers the music that is both exotic and easily accessible. She masters the mysteries of nomad steppes, voices of spirits of mountains and forests and her vocal range can go from playful and childlike to gigantic and soaring within the space of a few minutes.

Namgar is a daughter of the steppe, born to a cattle herder. She grew up in a Buryat family in a tiny village of Kunkur near the border crossing of Russia, Mongolia, and China. The music she performs was passed down from her grandparents and father, who sang to her as a child. The inventive arrangements are new, but the stories told in the songs are as old as the indigenous Buryats themselves, with tales and myths of ancient Mongol fighters, champions, horses and famous battles. Hori Buryat tribes, to which Namgar belongs, were supporters of Chingis Khan and important commanders of the Mongol Invasion. Their songs and dances date back to the glorious times of the Mongolian Empire, preserving many genres and songs that became extinct in the other parts of Mongolian world. The repertoire of Namgar consists of the songs and melodies shared by Buryats and Mongolians, embracing the world of sounds as big as from the Lake Baikal in the East of Russia to the Great Wall in China, from the songs of shamanist gatherings of Siberia to celebration songs you might hear at a midsummer fest in Buryatia to exquisite melodies from Inner Mongolia.

The band uses traditional Mongolian instruments, including the yatag (a 13-stringed zither), the chanza (a three-stringed lute) along with electric bass and drums to craft its unique sound. This ancient music seasoned with modern elements of rock and electronic brings together images of the great wide-open and modern drive.



The music played by Namgar is compared with dances of shamans, with conspiracies, with the songs of the cosmos. And that’s true. Such projects appear with some special, abundant music, periodicity and regularly penetrate the mental armor of time.

Alexander Volkov –

Her power, energy and amazing vocal range go beyond words and language, taking her audience on a journey to Siberia and the world of the Buryats, people whose roots reach back to Ghengis Khan and the Mongolian Empire.

Martha Wikett – Salmon Arm Observer

Possibly among the most obscure bands to appear in festival history, Namgar was well-received in the capital city, as it was nights previous in Vancouver, where it sold the last of its CDs.

David Bohatyretz –

There are songs that I never dare to mix with modern arrangements. And there are others – they want to sing in a new way. In my life synthesis prevails, first of all, because our creative union with Evgeny Zolotaryov largely determined the style of music that we play.

Maria Trokai – Interview with Namgar. KAMWA Festival (Russia)